free bimonthly magazine published by the media, THE SELECT printed object is a different , to read, to unfold, to see that v arie content and colors and has a s election CDs, DVDs, games , critical texts, etc.. Lying in panorama through the post compound , whenever , by a different artist this time Yves Lecomte.
" For his birthday, the selection has a godfather: Pierre-Olivier Rollin, director of the BPS 22. It was he who chose the artist who created the poster: Yves Lecomte. Which has worked on text scattered, fragmented, all these bits of information to read books on CDs and DVDs which identify the artists, authors, performers, arrangers, recording, publishing, copyright, all these textual indications that pit finally defining factual manufacturing that contain these CD and DVD. A kind of descriptive works by appointing those who are there (since the invention to the production and reproduction potential.) Yves Lecomte has extracted all the information of all media present in the selection and has assembled a one body of dense text, white on black text ghostly auratic of the selection. The poster from a distance resembles a sort of fog, mirage. Or what that television does best: a virtual screen of snow, crackling static and dynamic, which was always the feeling that something will emerge, a picture, music, and finally a subliminal message from beyond the screen. This paper covered almost administrative information, we must ask themselves before and get lost. Immerse in the inscriptions of a particular area, to ensure that the eye quickly changes to areas that he feels, suddenly, it must also change atmospheres, climates. Look, all these signs aligned and apparently indifferent, cold, emit atmospheres. We discover that all those CDs and DVDs have links to "things" that we did not imagine, other documents, other than the names highlighted more, some sources who have achieved this or that film present in the selection is surprising, stakeholders appear that we never imagined invite in the selection ... So this post may seem to respond to a mechanical process, brought into contact with humans, the ramifications of signs that express and depth, by graphic work, that from the selection field of discovery is almost infinite and that in all these circuits informational, anyone can customize its course. "
Pierre Hemptine
