(Seinesaintdenis Style)
Department iconic French suburbs, the Seine-Saint-Denis, labeled the media label 9-3, has embodied the early 1960's photograph of a young angry, stigmatized as the seed of "rogue" or recently as "scum." An image that director Jean-Pierre Thorn decided to twist the neck restoring its value to a half-century of musical culture-cons, and vote often repressed a territory with a loss of identity, but never lot of energy ... From the legendary concert of the Nation in 1963 to slam today through punk and of course the great wave hip-hop, the documentary traces the various stages of musical resistance intimately linked to social reality and popular which it is derived. An epic told by some of those who have wealth and creativity: Daniel Boudon, boilermaker and drummer in a rock band in the early 1960s, Marc Perrone, promoter of folk ten years later and precursor slam , Loran Bérurier Black, icon of the punk generation, DJ Dee Nasty, architect of the French culture of hip-hop, rapper Casey, a partner with Rocker radical Free Zone (ex-Black Desire) and the slammer D 'de Kabal. Extensive excerpts from concerts (NTM Bérus ...) and archives and punchy tell the story of a suburbs undermined by uncontrolled urban policy, industrial change from time to time, disillusionment and political indifference, even aggression, government: a fertile ground where culture and thought are constantly reinventing itself. 
The story here is , and in a more incisive kind Clips Romain Gavras here and there
0 comments:
Post a Comment